Thursday, 31 May 2012

Tollywood Actress

Tollywood Actress Biography
  Jayaprada was born as Lalita Rani in a middle class householdorishna and Neelavani in Rajahmundry, Andhra Pradesh on April 3, 1962.She was a small town girl with dreams of becoming a doctor. Her mother enrolled her in dance and music classes when she was seven years old, inaddition to going to a regular school. Even though, her father and uncle were film financiers, her initial break into films didn't come through them. She was discovered dancing on stage at a school function when she was just fourteen years old. Character actor Prabhakar Reddy gave her the name of Jayaprada and introduced her in a three minute song in the Telugu film, "Bhoomi Kosam" (1976). That immediately led her to longer roles in "Devude Digivaste" (1975) and "Naaku Swatantram Vachindhi" (1976)he floodgates opened. Major film directors, such as Bapu, K. Vishwanath and K.Balachander, approached her with quality projects. She immediately became a huge star in Telugu films as diverse as the color-drenched, big-budget "Seeta Kalyanam(1976)tothestark,naturalistic black-and-white film "Antuleeni Katha" (1976), where she won a special acting award for her unforgettable dramatic performance. But it was her dancing skills and nuanced acting style as a mute girl that made K. Vishwanath's "Siri Siri Muvva" (1976) into a timeless classic. It would also be her passport into Hindi films as K. Vishwanath remade it into "Sargam" (1979) and made her a overnight star in Bollywood as well. She earned her first Filmfare nomination as Best Actress for the film, and it would become one of her favorite films. She stalled on doing more Hindi films for two years as she wasn't fluent in the language. But she became fluent in Hindi, as well as Tamil, Kannada, MalayalamandBengali, and had hit films in alltheselanguages.Sheendearedaudiences with her sincere portrayal of Amitabh Bachchan's girlfriend in her next favorite film "Sharabi" (1984), which became another big hit and earned her second Filmfare nomination as Best Actress. K. Vishwanath directed her to her third Filmfare nomination as Best Actress for her other favorite film "Sanjog" (1985). But some of her bestperformanceswouldounrewarded. In the Telugu film directed by K.Balachander, "47 Rojulu" (1981) showed Jayaprada as a innocent girl duped by her husband in Paris, France, and her struggle to escape from him. But in Hindi films, she usually played the traditionally dressed, docile, obedient wife, and while that image led to hit films, it also eventually tired her audiences. She also seemed bored and indifferent with no new challenges ahead as she had already made her other favorite films: the Hindi films "Sur Sangam" (1985) and "Tohfa" (1984), the Telugu film "Sagara Sangamam" (1983), the Kannada films "Sanadi Appanna" (1977) and "Kavi Ratna Kalidasa" (1983). The only excitement came from her personal life when she met her husband film producer Srikant Nahata. They started out as friends as he was already a married man with children. But it turned into love when he stood by her because of her income tax problems. She wasbranded the "other woman," especially since Nahata wouldn't leave his wife. So she ended up marrying him in 1986, and he has continued to be married to both women. In 1994, she also became a politician by joining the Telugu Desam Party. A few years later, a rift developedwiththepolitical party and she was deeply hurt when she was no longer in the party. She also didn't have any major films lined up. But she kept up with her many social and humanitarian causes, especially related to poor women and children. She also became tough and strong and forged on ahead by joining a different political party in a different state, UttarPradesh. She won the election with the slogan line, "Andhra is my janambhoomi but Uttar Pradesh is my karmbhoomi." She also started making films playing stronger, mature roles. In "Deh," she played an older woman having an affair with a much younger man. She also wrote and directed "Class Medal," a Telugu film that starred her sister's son Siddharth and produced by her brother Rajababu. She didn't forget her first love, dancing, and did a dance ballet in 2005 that won her great acclaim. And she also dabbled in playback singing and even recorded an album with music composer Bappi Lahiri. In 2008, she received the FilmfareLifetime Achievement Award for her long and plentiful contribution to the South Indian film industry. Having three careers (acting, dancing, politics), and a husband, left her no time to have children of her own, eventhough she has expressed a desire to have children. So far, she has shown no desire to give up her three careers and in fact, stated that she'll be as hardworking and dedicated in the future as she is ow.
Tollywood Actress 
Tollywood Actress 
Tollywood Actress 
Tollywood Actress 
Tollywood Actress 
Tollywood Actress 
Tollywood Actress 
Tollywood Actress 
Tollywood Actress
Tollywood Actress Alias Janaki Movie Opening Video
Tollywood Actress Kajal Agarwal Latest Unseen Hot Spicy Sexy Video

Anushka Sharma Hot

Anushka Sharma Hot Biography
  Anushka Sharma celebrates her birthday on 1 May, 1988. Anushka Sharma was born in Bangalore. Her father is an Army Officer while her mother is a homemaker. She also has an older brother.nushka Sharma did her schooling at the Army School and later graduated fromMountCarmelCollege with a degree in Arts. She is currently working on obtaining a degree in Economics.nushka Sharma is model and actress in the Bollywood film industry. In 2008, she played the female lead role in theBollywood film Rab Ne Bana Di Jodi, directed by Aditya ChopraAnushka, with ataste for the alluring world of fashion and film, signed up with theEliteModeling Agency. Anushka Sharma wasalsogroomedbyfashionconsultant Prasad Bidappa even before she hit her sweet sixteens.Anushka Sharma was ‘discovered’ by the Goa-based designer Wendell Rodricks. She sashayed down the ramp at his Les Vamps Show, and the Lakme India Fashion Week. She was also seen in ads for Silk & Shine, Whisper, and Fiat Palio. She stands tall at 5’9”.Right from a young age, Anushka Sharma wished to make it big in the glamor world. She was once quoted as saying "I can't seemyselfdoing anything else." With moral support from her parents, a confidentAnushka enrolled in the Elite Modeling Agency.AnushkaSharmawasgroomedbyrenowned style consultant Prasad Bidapa, whom she met when she was just 15 years of age. Bidapa admits that Anushka alwayshadthequalitytobeastar.Through the Elite Modeling Agency, her pictures reached the casting directorsof AdityaChopra'sRabNeBanaDJodiandshewascalledinforanaudition.fteraewmoreauditions,AnushkaSharmawasofficiallyastforthefemalelead,Taani.Onherportrayalofthischaracterinherdebutfilm,Anushkahasbeendescribedbyviewersasdeliveringaonfidentperformancelikenedtothatofaveteranactressandstandingoutevenagainstherco-starShahrukhKhan.Readmore:http://www.bukisa.com/articles/341508_top-bollywood-actress-anushka-sharma#ixzz1IjaOicGYAnushkaSharmahasstatedthatshecurrentlyhasacontracttodotwooremovieswithYashRajFilmsbutisreetodofilmsoutsideYRFtofurtherhercareerifshewishesAnushkaSharmawasthefindofinternationallyacclaimedGoanfashiondesignerWendellRodricks.Readmore:http://www.bukisa.com/articles/341508_top-bollywood-actress-anushka-sharma#ixzz1IjaE7orT.,              Anushka Sharma Hot
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Anushka Sharma Hot Kiss With Ranveer Singh (HD) - NayyerMobile.com
Sexy Anushka Sharma Gets Wild! - Vogue Photo Shoot 2012 - UTVSTARS HD

Top Italian Actresses

Top Italian Actresses Biography
 Born in Rome, she was brought up in poverty by her maternalgrandmother in a slum district of the city. After some education at a conventchool, she enrolled at Rome's Academy of Dramatic Art and sang in nightclubs and cabarets to support herself. Due to her work in nightclubs, Magnani was dubbed the Italian Édith Piaf.In 1927 she acted in thescreenversion of La Nemica e Scampolo. She had also beeninthestageproduction. She met Italian filmmaker Goffredo Alessandrini in 1933 and the two weremarried in 1935. He was one of the first Italian filmmakers to adaptthenewsound technology used in American cinema. Her marriage to Alessandrini ended in 1950, and she never married again. Magnani once said, "Women like me can only submit to men capable of dominating them,and I haveneverfound anyone capable of dominating me".In 1941, MagnanistarredineresaVenerdì, (“Friday Theresa”) which the writer and director, Vittorio De Sica, called Magnani’s "first true film". In it she plays Loletta Prima, the girlfriend of Di Sica’s character, Pietro Vignali. De Sica had called her laugh, "loud, overwhelming, and tragic".She had worked in films for almost 20 years before gaining international renown as 'Pinain Roberto Rossellini's neorealist milestone Roma, Cittá Aperta. (also known as Rome, Open City, 1945). Her harrowing death scene remains oneofcinema's most devastating moments. In Italy (and gradually elsewhere) she soon became established as a star, although she lacked theonventionalbeauty and glamour usually associated with the term. Slightly plump and rather short in stature with a face framed by unkemptravenhairandeyesencircled by deep, dark shadows, she attracted through her seethingearthiness and volcanic temperament.Magnani was Rossellini’s second choice to play the role of Pina. He had originally wanted ClaraCalamai, the lead of Ossessione, (a part Luchino Visconti had originally offered Magnani) but she was already under contract and working onanotherfilm.Rossellini almost had to resort to his third actress choice because Magnani demanded she be paid the same amount of money the male lead, Aldo Fabrizi was getting. The difference in salary was only 100,000 lire, and was really over principle more so than price. Rossellini, whom she called, "this forceful, secure courageous man", was her lover at the time, and she was to go on and collaborate with him on other films.
Other collaborations with Rossellini include L'Amore, a two part film from 1948: The Miracle and The Human Voice (Il miracolo, and Una voce umana.) In the former, Magnani, playing a peasant outcast who believes the baby she's carrying is Christ, plumbs boththesorrowdherighteousness of being alone in the world. The latter film, based on Jean Cocteau's play about a woman desperately trying to salvage a relationship over the telephone, is remarkable for the ways in which Magnani's powerful moments of silence segue into cries of despair. One could surmise that the role of this unseen lover was Rossellini, andwasasedonconversations that took place throughout their own real-life affair.In 1951's Luchino Visconti's Bellissima she plays Maddalena, a blustery, obstinate stage mother who drags her daughter to Cinecittà for the "Prettiest Girl in Rome" contest. When she realizes that the studio heads are laughing at her daughter's screen test, a shattering close-up of Magnani's face reveals rage, humiliation, and maternal love. She starred as Camille, a woman torn between three men, in Jean Renoir’s 1953 film Le Carrosse d’or (also known as The Golden Coach). Renoir called her “the greatest actress I have ever worked with.”As the widowed mother of a teenage daughter in Daniel Mann's 1955 film of Tennessee Williams's The Rose Tattoo, Magnani's adroit, mercurial performing offsets the hammy Method acting style of co-star Burt Lancaster. It wasn’t until then that she broke into Hollywood mainstream cinema with her first English speaking role. Playing Serafina Delle Rose in The Rose Tattoo, she won the Best Actress in a Leading Role Oscar. Tennessee Williams wrote it and based the character of Serafina on Magnani, since the two were good friends. It was originally put on stage starring Maureen Stapleton, because Magnani’s English was too limited at the time for her to star. Magnani worked with Williams again in his 1959 film, The Fugitive Kind, where she played Lady Torrance and starred opposite Marlon Brando.The Wild, Wild Women (1958) is notable for pairing Magnani, as an unrepentant streetwalker, with Giulietta Masina in a women-in-prison film. In Pier Paolo Pasolini's Mamma Roma (1962), Magnani is both the mother and the whore, playing an irrepressible prostitute determined to give her teenage son a respectable middle-class life. Mamma Roma, is one of Magnani's critically acclaimed films, yet it wasn’t released in the United States until 1995, for having been deemed too controversial.
It was after this role along with her many other parts of playing poor women that Magnani was quoted in 1963 as having said, “I’m bored stiff with these everlasting parts as hysterical, loud, working class women.”
Magnani made her final film performance as Rosa in The Secret of Santa Vittoria. Towards the end of her career, Magnani was quoted as having said, “The day has gone when I deluded myself that making movies was art. Movies today are made up of…intellectuals who always make out that they’re teaching something.She died at the age of 65 in Rome, after a long battle with pancreatic cancer. A huge crowd gathered for her funeral in a final salute that Romans usually reserve for Popes. She was provisionally laid to rest in the Roberto Rossellini's family mausoleum, her favorite director and longtime friend. She now rests in the Cimitero Comunale, San Felice Circeo, Lazio, Italy.There are several cheap holiday deals for Italy and the rest of the world.
Top Italian Actresses
Top Italian Actresses
Top Italian Actresses
Top Italian Actresses
Top Italian Actresses
Top Italian Actresses
Top Italian Actresses
Top Italian Actresses
Top Italian Actresses
Sexy Bicycle Ride By Sexy Italian Actress Orchidea De Santis.Avi
BEST ITALIAN GIRLS - ITALIAN ACTRESSES - TARANTELLA

Italian Actress List

Italian Actress List Biography
 Born in Rome, she was brought up in poverty by her maternal grandmother in a slum district of the city. After some education at a convent school, she enrolled at Rome's Academy of Dramatic Art and sang in nightclubs and cabarets to support herself. Due to her work in nightclubs, Magnani was dubbed the Italian Édith Piaf.
In 1927 she acted in the screen version of La Nemica e Scampolo. She had also been in the stage production. She met Italian filmmaker Goffredo Alessandrini in 1933 and the two were married in 1935. He was one of the first Italian filmmakers to adapt the new sound technology used in American cinema. Her marriage to Alessandrini ended in 1950, and she never married again. Magnani once said, "Women like me can only submit to men capable of dominating them, and I have never found anyone capable of dominating me".
In 1941, Magnani starred in Teresa Venerdì, (“Friday Theresa”) which the writer and director, Vittorio De Sica, called Magnani’s "first true film". In it she plays Loletta Prima, the girlfriend of Di Sica’s character, Pietro Vignali. De Sica had called her laugh, "loud, overwhelming, and tragic".
She had worked in films for almost 20 years before gaining international renown as 'Pina' in Roberto Rossellini's neorealist milestone Roma, Cittá Aperta. (also known as Rome, Open City, 1945). Her harrowing death scene remains one of cinema's most devastating moments. In Italy (and gradually elsewhere) she soon became established as a star, although she lacked the conventional beauty and glamour usually associated with the term. Slightly plump and rather short in stature with a face framed by unkempt raven hair and eyes encircled by deep, dark shadows, she attracted through her seething earthiness and volcanic temperament.
Magnani was Rossellini’s second choice to play the role of Pina. He had originally wanted Clara Calamai, the lead of Ossessione, (a part Luchino Visconti had originally offered Magnani) but she was already under contract and working on another film. Rossellini almost had to resort to his third actress choice because Magnani demanded she be paid the same amount of money the male lead, Aldo Fabrizi was getting. The difference in salary was only 100,000 lire, and was really over principle more so than price. Rossellini, whom she called, "this forceful, secure courageous man", was her lover at the time, and she was to go on and collaborate with him on other films.
Other collaborations with Rossellini include L'Amore, a two part film from 1948: The Miracle and The Human Voice (Il miracolo, and Una voce umana.) In the former, Magnani, playing a peasant outcast who believes the baby she's carrying is Christ, plumbs both the sorrow and the righteousness of being alone in the world. The latter film, based on Jean Cocteau's play about a woman desperately trying to salvage a relationship over the telephone, is remarkable for the ways in which Magnani's powerful moments of silence segue into cries of despair. One could surmise that the role of this unseen lover was Rossellini, and was based on conversations that took place throughout their own real-life affair.
In 1951's Luchino Visconti's Bellissima she plays Maddalena, a blustery, obstinate stage mother who drags her daughter to Cinecittà for the "Prettiest Girl in Rome" contest. When she realizes that the studio heads are laughing at her daughter's screen test, a shattering close-up of Magnani's face reveals rage, humiliation, and maternal love. She starred as Camille, a woman torn between three men, in Jean Renoir’s 1953 film Le Carrosse d’or (also known as The Golden Coach). Renoir called her “the greatest actress I have ever worked with.”
As the widowed mother of a teenage daughter in Daniel Mann's 1955 film of Tennessee Williams's The Rose Tattoo, Magnani's adroit, mercurial performing offsets the hammy Method acting style of co-star Burt Lancaster. It wasn’t until then that she broke into Hollywood mainstream cinema with her first English speaking role. Playing Serafina Delle Rose in The Rose Tattoo, she won the Best Actress in a Leading Role Oscar. Tennessee Williams wrote it and based the character of Serafina on Magnani, since the two were good friends. It was originally put on stage starring Maureen Stapleton, because Magnani’s English was too limited at the time for her to star. Magnani worked with Williams again in his 1959 film, The Fugitive Kind, where she played Lady Torrance and starred opposite Marlon Brando.
The Wild, Wild Women (1958) is notable for pairing Magnani, as an unrepentant streetwalker, with Giulietta Masina in a women-in-prison film. In Pier Paolo Pasolini's Mamma Roma (1962), Magnani is both the mother and the whore, playing an irrepressible prostitute determined to give her teenage son a respectable middle-class life. Mamma Roma, is one of Magnani's critically acclaimed films, yet it wasn’t released in the United States until 1995, for having been deemed too controversial.
It was after this role along with her many other parts of playing poor women that Magnani was quoted in 1963 as having said, “I’m bored stiff with these everlasting parts as hysterical, loud, working class women.”
Magnani made her final film performance as Rosa in The Secret of Santa Vittoria. Towards the end of her career, Magnani was quoted as having said, “The day has gone when I deluded myself that making movies was art. Movies today are made up of…intellectuals who always make out that they’re teaching something.”
She died at the age of 65 in Rome, after a long battle with pancreatic cancer. A huge crowd gathered for her funeral in a final salute that Romans usually reserve for Popes. She was provisionally laid to rest in the Roberto Rossellini's family mausoleum, her favorite director and longtime friend. She now rests in the Cimitero Comunale, San Felice Circeo, Lazio, Italy.
Italian Actress List
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Sexy Italian Actress Serena Grandi Romantic Scene.Avi
Italian Actress SYLVIA DE FANTI - Demo Reel

Wednesday, 30 May 2012

Italian Actress Monica Bellucci

 Italian Actress Monica Bellucci Biography
Monica Bellucci is supposedly the best Italian import in Hollywood since Sophia Loren. She commands a huge amount of respect intheindustry which the other models can dream of. She has acted in over 50 films and TV shows and her popularity is simply legendary. She has a numberof blockbuster films to her credit including The MatrixReloaded, TheMatrix Revolutions and Shoot 'Em Up. 2010 was a remarkable year for theactress as she starred opposite Nicholas CageinTheSorcerer'sApprentice opposite Racel Weisz in The Whistleblower and lSchumacher's 1:30 Train. And lest you start think otherwise, she is only 45 years old!!Monica has acted in more than 50 films but there is no concrete information about her salary per film. However, it is believed that she earns a heft sum of money through her endorsements. She is already the face ofDiorcosmetics and has also posed for Dolce & Gabbana and French ELLE. In 2011 French Cashmere brand Eric Bompard signed the actress for their autumn/winter 2011 ad campaign. It is also alleged that once she was paid 230,000 euros to attend a gala at the Museum of Modern Art in Paris.We know it will disappoint the fans but presently we do not have any information on her house.However,confirmed reports suggest that Monica is proud to be the owner of a Lamborghini. The Lamborghini is one of the fastest cars in the vehicle industry. The choice of her directly is actually opposite to the type of cars she uses during the shooting of short video clips. The Italian actress is also known for her philanthropy work and she has also promoted a new residence for young cancerpatients and their parents. She has also attended charity concerts in many parts of the world including St. Petersburg.Bellucci was born in Umbria, Italy as the only child. She began modeling at the age of 13 for a local photographer. In 1988 she moved to Milan and signed a deal with Elite Model Management. By 1989 she was a known figure in the modeling circuit and has already posed for renowned designers like Dolce & Gabbana and French ELLE. She married French actor Vincent Casselandthey have two daughters. During her first pregnancy she created quite astorm by posing nude for the Italian magazine, Vanity Fair. She posedpregnant and semi-nude again during her second pregnancy. This was done as a mark of protest against specific Italian laws. In 2012 she became the face of the luxury brand, Dolce & Gabbana.
Italian Actress Monica Bellucci
Italian Actress Monica Bellucci
Italian Actress Monica Bellucci
Italian Actress Monica Bellucci
Italian Actress Monica Bellucci
Italian Actress Monica Bellucci
Italian Actress Monica Bellucci
Italian Actress Monica Bellucci
Italian Actress Monica Bellucci
Monica Bellucci "Door Of The Sun" The Italian Goddess.
Monica Bellucci as Laura in Franck Spadone

Italian Actresses Names

Italian Actresses Names Biography
Actress. Sophia Loren was born as Sofia Villani Scicolone on September 20, 1934 in Rome, Italy. Her father, Riccardo Scicolone, considered himself a "construction engineer," but in fact he spent most of his time hanging around the fringes of show business, hoping to romance young actresses. Sophia Loren's mother, Romilda Villani, was one of them. Bearing an uncanny resemblance to Greta Garbo, Villani had once been offered a trip to the United States to play Garbo's body double, but her mother refused to let her go. After Sophia Loren's birth, her mother took her back to her hometown of Pozzuoli on the Bay of Naples, which one travel book described as "perhaps the most squalid city in Italy." Although Riccardo Scicolone fathered another child by Villani, they never married. As Loren's mother put it, "That pig was free to marry me, but instead he dumped me and married another woman."Although she would go on to be considered one of the most beautiful women in history, Sophia Loren's wet nurse remembered her as "the ugliest child I ever saw in my life." A quiet and reserved child, Loren grew up in extreme poverty, living with her mother and many other relatives at her grandparents' home, where she shared a bedroom with eight people.Things got worse when World War II ravaged the already struggling city of Pozzuoli. The resulting famine was sogreatthatLoren'smotheroccasionally had to siphon off a cup of water from the car radiator to ration between her daughters by the spoonful. During one aerial bombardment, Loren was knocked to the ground and split open her chin, leaving a scar that has remained ever since.Nicknamed "little stick" by her classmates for her sickly physique, at the age of 14 Loren blossomed, seemingly overnight, from a frail child into a beautiful and voluptuous woman. "It became a pleasure just to stroll down the street," she remembered of her sudden physical transformation. That same year, Loren won second place in a beauty competition, receiving as her prize a small sum of cash and free wallpaper for her grandparents' living room. In 1950, when she was 15 years old, Loren and her mother set off for Rome to try to make their living as actresses. Loren landed her first role as an extra in the 1951 Mervyn LeRoy film Quo Vadis. She also landed work as a model for various fumetti, Italian publications that resemble comic books but with real photographs instead of illustrations. After various bit parts and a small role in the 1952 filmfilmed in Parisandcostarring Cary Grant and Frank Sinatra. At the same time, she became enmeshed in a love triangle when both Grant and an Italian film producer named Carlo Ponti declared their love for her. Although she had aschoolgirl's crush on Grant, Loren ultimately chose Ponti, a man the edia joked was twice her age and half her height. Althoughheymarried1957,complications regarding the annulment of Ponti's first marriage prevented their union from being officially legally recognized in Italy for another decade. Loren and Ponti's marriage nevertheless remains one of the rare, heartwarming success stories among celebrity relationships. They remained happily married for 50 years until Ponti's death in 2007. According to Loren, the secret to their relationship was maintaining a low profile despite their celebrity status. "Show business is what we do, not what we are," she said.In 1960, Sophia Loren turned in the most acclaimed performance of her career in the Italian World War II film Two Women. In a film with parallels to her own childhood, Loren played a mother desperately trying to provide for her daughter in war-ravaged Rome. The film transformed Loren into an international celebrity, winning her the 1961 Academy Award for Best Lead Actress. She was the first actress ever to win the award for a non-English-language film. Throughout the 1960s, Loren continued to star in Italian, American and French films, cementing her status as one of the great international movie stars of her generation. Her most notable 1960s performances include Yesterday, Today, and Tomorrow (1963), which won the Oscar for Best Foreign Film, Marriage, Italian Style (1964), for which she earned another Oscar nomination for Best Actress, and A Countess from Hong Kong (1967), costarring,
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Italian Actress
Italian Actresses Tribute - La Bella Donna

kareena kapoor Hot

kareena kapoor Hot Biography
   Born on 21st September, 1980, in an iconic family which has given the country few of its best actors and actresses, KareenaKapooristheaughter of Randhir Kapoor and Babita. Her elder sister, Karisma Kapoor is also an actress. Kareena Kapoor made her debut with Refugee (2000). Although the film didn’t do so well at the box office, it was enough for Kareena Kapoor to leave her mark as a girl with potential. Kabhi Khushi Kabhie Gham (2001) which became the highest overseas grosser of that year gave her recognition and success as an actress. However her other films, Mujhe Kucch Kehna Hai, Yaadein, Ajnabee and Asoka, released in the same year gained mediocre successHer career received a setback in 2002 and 2003, all her movies, Mujhse Dosti Karoge!, Jeena Sirf Merre Liye, Talaash: The Hunt Begins…, Khushi, Main Prem Ki Diwani Hoon, LOCKargil, were quite unsuccessful at the box-office. Her movies released in 2004 and 2005, Chameli, Yuva, Fida, Aitraaz, Dev, Hulchal, Bewafaa, Dosti: Friends Forever received a lukewarm response at the box-office.However, her roles in Chameli and Dev were critically acclaimed. In 2006, she starred in 36 China Town, Chup Chup Ke, Omkara and did acameoappearance in Don – The Chase Begins Again. Her portrayal of Dolly (based on Desdemona, from the Shakespearean play, Othello) received rave critical reviews.The release of Jab We Met (2007) brought with it huge success and fan following. She delivered the role of a free spirited, fiery sikhni with gusto. Tashan, released in 2008, was a flop. Anotherrelease of 2008, Roadside Romeo, an animated movie from Yash Raj and WaltDisney Pictures had her lending her voice to the character of Laila. Kambakkht Ishq and Main Aurr Mrs Khanna both 2009 releases did not do so well, however Kurbaan and 3 Idiots which also released in the same year gained her nominations for Filmfare Award for Best Actress. She then appeared in the much stalled Milenge Milenge (2010). Karan Johar’s We Are Family (2010), a Hindi adaptation of Hollywood’s Stepmom (1998) saw her playing the role originally portrayed by the talented,JuliaRoberts. The role won her the Filmfare Award for Best Supporting Actress. She has been a part of the Golmaal series and has played a role in Golmaal Returns (2008) and was the leading lady in Golmaal 3 (2010). In 2011, she was first seen opposite Shah Rukh Khan in Ra.One and later opposite Salman Khan in Bodyguard. Both these films did huge business at the box-office. In 2012, she was seen opposite Imran Khan in Karan Johar’s Ek Main Aur Ekk Tu which also did well at the box-office. Her upcoming films include Agent Vinod with beau Saif Ali Khan, Talaash with Aamir Khan and Madhur Bhandarkar’s Heroine.
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